ΓΡΑΜΜΑ/GRAMMA: Περιοδικό Θεωρίας και Κριτικής, τεύχος 21
Περιεχόμενα\n\nIntroduction \nMaria Schoina and Andrew Stauffer\n\nIntroduction\n\nDeleafing: The History and Future of Losing Print, Andrew Piper\n\nFundamental Brainwork. Rossetti Among the Printers , Jerome McGann\n\nThe International “Commerce of Genius”: Foreign Books in Romantic-Period London, Diego Saglia\n\nPercy Bysshe Shelley, the Νewspapers of 1819 and the Language of Poetry, Catherine Boyle\n\nLord Byron’s Childe Harold’s Pilgrimage: Scoping a Twenty-First-Century Digital Book History Resource, David McClay\n\nThe Theory of the Copy: Henry Fox Talbot and The Pencil of Nature, Jeremy Valentine Freeman\n\nOuida’s Publishing History: Prolific Then, Peripheral Now, Barbara Vrachnas\n\nRomantic Fragmentation and Victorian Censorship: Rethinking Nineteenth-Century Authorship, Elisavet Ioannidou\n\nBooks in Pieces: Granger, History, and the Collection, Michael Macovski\n\n“Scarers in Print”: Media Literacy and Media Practice from Our Mutual Friend to Friend me On Facebook, James Mussell\n\nBook Reviews\n\nThe Cambridge History of the Book in Britain, Vol. VI, 1830? 1914 (edited by David McKitterick), Reviewed by Annika Bautz\n\nDreaming in Books: The Making of the Bibliographic Imagination in the Romantic Age (by Andrew Piper), Reviewed by Maureen McCue\n\nRomantic Magazines and Metropolitan Literary Culture (by David Stewart),Reviewed by Jonathan Sachs\n\nThe Nineteenth-Century Press in the Digital Age (by James Mussell), Reviewed by Mark Schoenfield