ΓΡΑΜΜΑ/GRAMMA: Περιοδικό Θεωρίας και Κριτικής, τεύχος 22 (2)

Περιεχόμενα\n\nFrom the Years of Utopia to the Years of Dystopia, Savas Patsalidis and Anna Stavrakopoulou\n\nThe Geographies of Contemporary Greek Playwriting\n\nThe Diverse Landscape of Contemporary Greek Playwriting, Lina Rosi\n\nGreek Society During the Period of Crisis: The Role of History as a Mechanism of Repelling the Present, Theodoros Grammatas\n\nTransformations of “Home” in Contemporary Greek Drama: From a Domicentric View toward Space Decenterings, Ioanna Alexandri\n\nThe “Polis” and the “Political” in Contemporary Greek Drama since the Eruption of the Greek Crisis: A First Appraisal (2009 -2015)\nDimitra Kondylaki\n\nAbout Sameness, Otherness, Authenticity, and Hybridity “Facing Mirrors”: Contemporary Greek Theatre Productions and the Issue of Identity, Grigoris Ioannidis\n\nSelf and Other in Aeschylus’ Persians. A propos de Gotscheff, Eleni Papazoglou\n\nCrisis, Ruptures, and the Rapture of an Imperceptible Aesthetics: A Recent History of the Hellenic Festival, Eleftheria Ioannidou and Natasha Siouzouli\n\nDirectors’ Theatre in Greece: Stages of Authorship in the Work of Michael Marmarinos, Yiannis Houvardas, and Theodoros Terzopoulos, Avra Sidiropoulou\n\nRefashioning Dramaturgy: A Stage Rewriting of a 19th-c. Play in 2013 Greece, Ioulia Pipinia and Andreas Dimitriadis\n\nAlternative Geographies of (Re)Acting, Reframing the Real: The Blitz Theatre Group and the Awareness of Time, Katia Arfara\n\nGreek History as Environmental Performance: Iannis Xenakis’ Mycenae Polytopon and Beyond, Marina Kotzamani\n\nThe Streets Belong to the People: Scenes and Heterotopias in the City, Giorgos Pefanis\n\nWhose Performance? The Politics of Protest and Terror in Greek Civic Life, Elizabeth Sakellaridou\n\nReview Essays\n\nResonances: The Sound of Performance, Johannes Birringer\n\nNon-Still Life: A Mosaic Portrait of Dimitris Papaioannou, Katerina Delikonstantinidou\n\nBook Reviews\n\nAngelaki, Vicky, ed. Contemporary British Theatre: Breaking New Ground. Basingstoke: Palgrave Macmillan, 2013. Pp 192. ISBN: 978-1-137-01012-4., Reviewed by Elzbieta Baraniecka\n\nDurham, Leslie Atkins. Women’s Voices on American Stages in the Early Twenty-First Century. Sarah Ruhl and her Contemporaries. New York: Palgrave, Macmillan, 2013. Pp 215. ISBN: 978-1-137-28710-6., Reviewed by Noelia Hernando-Real\n\nMcConachie, Bruce. Theatre and Mind. New York: Palgrave Macmillan, 2013. Pp 82. ISBN: 978-0-230-27583-6., Reviewed by Barbara Ozieblo\n\nRabey, David Ian, and Sarah Goldingay, eds. Howard Barker’s Art of Theatre: Essays on his Plays, Poetry and Production Work. Manchester: Manchester UP, 2013. Pp 238. ISBN: 978- 0-7190-8929-9. Reviewed by Chris Megson\n\nRapti, Vassiliki. Ludics in Surrealist Theatre and Beyond. Farnham, Surrey: Ashgate, 2013. (Series: Ashgate Studies in Surrealism.) Pp 210. ISBN 978-1-4094-2906-7. Reviewed by Ioulia Pipinia\n\nContributors