GRAMMA: Journal of Theory and Criticism, volume 22 (1)
Contents\n\nEditorial Note: The Glo-c-ality of the Greek Classics, Savas Patsalidis\n\nThe Ancient Greek Democratic Ideal and its Relevance for Today’s World, Heinz-Uwe Haus\n\nThe Trojan War on the Contemporary Western Stage: Transversal Readings, Sylvie Jouanny\n\nThe Reception of Ancient Greek Tragedy in Late Modernity: From the Citizen Viewer of the City-State to the Consumer Viewer of the Global Cosmopolis, Theodoros Grammatas\n\nThe Unapologetic Seduction of Form: Texts as Pretexts in Postmodern Versions of(f) Greek Tragedy, Avra Sidiropoulou\n\nBodies, Back from Exile, Freddy Decreus\n\nAncient Tragedy: Between Post-Modernism and “Transfer”, Menelaos Givalos\n\nPost-poetics Culture, or, Pre-conscious Ferocity, Yannis Papadopoulos\n\nThe Philosophical Language of Dramatic Art as a Moral Vehicle Towards a Reading of Crisis and Self-awareness: The Dialectical Embrace of Dramatic Art and Philosophy as a Reflection and Challenge Upon Crisis, Katerina Karamitrou\n\nIakovos Kambanellis’ The Supper: Heterotopia, Intertextuality and Metatheater in a Modern Tragic Trilogy, Vayos Liapis\n\nThe Translator’s Invisibility: Handling Iron, J. Michael Walton\n\nBook Reviews\n\nReimagining Greek Tragedy on the American Stage, (by Helene Foley), Reviewed by Dorothy Chansky\n\nAuthoring Performance. The Director in Contemporary Theatre, (by Avra Sidiropoulou)\nReviewed by Freddy Decreus\n\nDionysus Resurrected: Performances of Euripides’ The Bacchae in a Globalizing World \n(by Erika Fischer-Lichte), Reviewed by J. Michael Walton\n\nJohn Florio. The Man Who Was Shakespeare, (by Lamberto Tassinari), Reviewed by Xenia Georgopoulou