GRAMMA: Journal of Theory and Criticism, volume 22 (2)

Contents\n\nIntroduction\n\nFrom the Years of Utopia to the Years of Dystopia , Savas Patsalidis and Anna Stavrakopoulou\n\nThe Geographies of Contemporary Greek Playwriting\n\nThe Diverse Landscape of Contemporary Greek Playwriting, Lina Rosi\n\nGreek Society During the Period of Crisis: The Role of History as a Mechanism of Repelling the Present, Theodoros Grammatas\n\nTransformations of “Home” in Contemporary Greek Drama: From a Domicentric View toward Space Decenterings, Ioanna Alexandri\n\nThe “Polis” and the “Political” in Contemporary Greek Drama since the Eruption of the Greek Crisis: A First Appraisal (2009 -2015), Dimitra Kondylaki\n\nAbout Sameness, Otherness, Authenticity, and Hybridity “Facing Mirrors”: Contemporary Greek Theatre Productions and the Issue of Identity, Grigoris Ioannidis\n\nSelf and Other in Aeschylus’ Persians. A propos de Gotscheff, Eleni Papazoglou\n\nCrisis, Ruptures, and the Rapture of an Imperceptible Aesthetics: A Recent History of the Hellenic Festival, Eleftheria Ioannidou and Natasha Siouzouli\n\nDirectors’ Theatre in Greece: Stages of Authorship in the Work of Michael Marmarinos, Yiannis Houvardas, and Theodoros Terzopoulos, Avra Sidiropoulou\n\nRefashioning Dramaturgy: A Stage Rewriting of a 19th-c. Play in 2013 Greece\nIoulia Pipinia and Andreas Dimitriadis\n\nAlternative Geographies of (Re)Acting\n\nReframing the Real: The Blitz Theatre Group and the Awareness of Time, Katia Arfara\n\nGreek History as Environmental Performance: Iannis Xenakis’ Mycenae Polytopon and Beyond, Marina Kotzamani\n\nThe Streets Belong to the People: Scenes and Heterotopias in the City, Giorgos Pefanis\n\nWhose Performance? The Politics of Protest and Terror in Greek Civic Life, Elizabeth Sakellaridou\n\nReview Essays\n\nResonances: The Sound of Performance, Johannes Birringer\n\nNon-Still Life: A Mosaic Portrait of Dimitris Papaioannou, Katerina Delikonstantinidou\n\nBook Reviews\n\nAngelaki, Vicky, ed. Contemporary British Theatre: Breaking New Ground. Basingstoke: Palgrave Macmillan, 2013. Pp 192. ISBN: 978-1-137-01012-4., Reviewed by Elzbieta Baraniecka\n\nDurham, Leslie Atkins. Women’s Voices on American Stages in the Early Twenty-First Century. Sarah Ruhl and her Contemporaries. New York: Palgrave, Macmillan, 2013. Pp 215. ISBN: 978-1-137-28710-6., Reviewed by Noelia Hernando-Real\n\nMcConachie, Bruce. Theatre and Mind. New York: Palgrave Macmillan, 2013. Pp 82. ISBN: 978-0-230-27583-6., Reviewed by Barbara Ozieblo\n\nRabey, David Ian, and Sarah Goldingay, eds. Howard Barker’s Art of Theatre: Essays on his Plays, Poetry and Production Work. Manchester: Manchester UP, 2013. Pp 238. ISBN: 978- 0-7190-8929-9., Reviewed by Chris Megson\n\nRapti, Vassiliki. Ludics in Surrealist Theatre and Beyond. Farnham, Surrey: Ashgate, 2013. (Series: Ashgate Studies in Surrealism.) Pp 210. ISBN 978-1-4094-2906-7., Reviewed by Ioulia Pipinia\n\nContributors